---------------------------------------------------------------------- 
Mankind face to the machine and to its own reflection : 
corollary of 
the new technologies' boom. 
Jean Baudrillard deals with the universe of 
virtuality, 
the consequences of which are not so virtual... 
Claude 
Thibaut : From your point of view, what potential 
do the new technologies 
offer? 
Jean Baudrillard : I don't know much about this subject. I 
haven't gone beyond the fax and the automatic answering machine. 
I have 
a very hard time getting down to work on the screen 
because all I see there 
is a text in the form of an image which I 
have a hard time entering. With my 
typewriter, the text is at a 
distance; it is visible and I can work with it. 
With the screen, 
it's different; one has to be inside; it is possible to 
play with 
it but only if one is on the other side, and immerses oneself in 
it. That scares me a little, and Cyberspace is not of great use 
to me 
personally. 
In what domains can these new technologies be used: 
communication, education, simulation? Are they likely to modify 
the 
attitudes and behavior of those who use them? 
I think that it will no 
doubt explode in all directions, because 
this is a sprawling medium, and it 
will grow in all of the 
domains. But do the ends remain the same; that is 
doubtless the 
main problem. Let's take pedagogy for example: doesn't 
information kill education? I have friends who are experiencing 
this in 
the domain of writing, and for my part I find that their 
behavior changes in 
a way. The possibility of indefinitely 
adjusting the correct version creates 
a sort of fantasy of 
perfection of the text which gives the latter another 
allure, 
another construction than those which their earlier writing 
possessed. The result of this quest for perfection remains 
problematic. 
We have the impression that the machine operated 
beyond the ends of the 
writing. 
Is there a distortion of the personality? 
Perhaps there 
is a distortion, not necessarily one that will 
consume one's personality. It 
is possible that the machine can 
metabolize the mind. 
Isn't 
interactive communication on the Internet in particular a 
big novelty in the 
world of media? 
There is a considerable expansion of all of the 
possibilities, 
but is it a good thing in the absolute to follow through with 
these? Isn't there a sort of wall or overkill? Communication 
seems to 
exhaust itself in the practical function of contact, and 
the content seems 
to retreat: the network, rather than the 
network's protagonists, is given 
priority. This last becomes an 
end in itself. 
Some people seem to be 
excited about videoconferencing. How can 
this desire to see each other to 
communicate be explained? 
In a real face to face encounter, there is a 
complex relation, in 
which each person is an actor at once both present and 
absent. In 
on-screen discussion, there is only an alternating presence of 
one and the other. Expression is more targeted, more functional 
and 
completely disembodied. It is doubtless suitable for 
professional kinds of 
conferences. No doubt, the videoconference 
offers the attraction of fighting 
against this disembodiment. 
It's a way of adding to the presence.. 
Do you think, as Monsieur Virilio does, that there are very great 
risks in developing the Internet? 
Monsieur Virilio is right that 
there is a risk of the subject 
being taken hostage, in a way, by his own 
tool. However, I do not 
see a doom-laden phenomenon there. I would side more 
with Leo 
Scheer, when he says that virtuality, being itself virtual, does 
not really happen. To make the network operate for the network by 
a 
machine whose end is to operate at all costs, is not to give it 
a will. One 
lives in the very Rousseauistic idea that there is in 
nature a good use for 
things that can and must be tried. I don't 
think that it is possible to find 
a politics of virtuality, a 
code of ethics of virtuality because virtuality 
virtualizes 
politics as well: there will be no politics of virtuality, 
because politics has become virtual; there will be no code of 
ethics of 
virtuality, because the code of ethics has become 
virtual, that is, there 
are no more references to a value system. 
I am not making a nostalgic note 
there: Virtuality retranscribes 
everything in its space; in a way, human 
ends vanish into thin 
air in virtuality. It is not a doom-laden danger in 
the sense of 
an explosion, but rather a passage through an indefinable 
space. 
A kind of radical uncertainty. One communicates, but as far as 
what is said, one does not know what becomes of it. This will 
become so 
obvious that there will no longer even be any problems 
concerning liberty or 
identity. There will no longer be any way 
for them to arise; those problems 
will disappear a little below 
the horizon. The media neutralizes everything, 
including, in a 
way, power, and virtuality itself is not able to turn itself 
into 
a political power.. 
What do you think about the notion that 
Bill Gates does not have 
any real power? 
One could not contest that 
Bill Gates has materiel strength and a 
power, which appear as a form of 
mythology in the sense that it 
has no relation whatsoever with the political 
relation, and that 
it abolishes traditional structures . Furthermore, this 
thing is 
quite capable of destroying itself. The sprawling monster can 
develop linearly in an exponential way, then fall into a chaotic 
zone of 
turbulence leading to accident, a sort of prevention and 
precaution against 
the omnipotence of the system which turns the 
meanings of things upside 
down. Accident can appear as silent 
resistance, a sort of negative 
self-regulation of the machine. In 
fact, virtuality is perhaps not a 
universal form of life, but a 
singularity. 
Isn't this radical 
uncertainty brought about by virtual [Image] 
reality likely to challenge 
man's vision of himself and 
the world? 
Certainly, because it is the 
system of representation that is at 
issue. The image that he has of himself 
is virtualized. One is no 
longer in front of the mirror; one is in the 
screen, which is 
entirely different. One finds himself in a problematic 
universe, 
one hides in the network, that is, one is no longer anywhere. 
What is fascinating and exercises such an attraction is perhaps 
less the 
search for information or the thirst for knowledge than 
the desire to 
disappear, the possibility of dissolving and 
disappearing into the network. 
After all that has just been said, what about happiness? 
Happiness is essential for both the individual and the group. The 
possibility of having available all the means to attain it 
creates a 
kind of electronic "high", a kind of happiness so 
evident that it ends up 
having no more raison d'Etre. There, 
there is a general problem of critical 
mass of the means which 
puts an end to ends. What happens when everything 
has been 
realized in modernity, when everything is virtually given? The 
question is crucial: where does one go from there? That is the 
problem: 
from the moment the subject is perfectly realized, it 
automatically becomes 
the object, and there is panic. I am not 
sure that with the virtual world we 
are moving closer still to 
happiness, because virtuality only gives 
possibilities virtually, 
while taking back the reference and the density of 
things, their 
meaning. It gives you everything, and subtly, surreptitiously 
it 
takes everything away at the same time. It is a game of which one 
does not know the rule[s]. One loses what one wins and vice 
versa. All 
that one can do is refuse to play, but it's not easy 
in our times. Books and 
writing will subsist in a kind of 
parallel existence; they will only be more 
precious for it 
because they will serve as a reference. It is difficult to 
oppose 
the virtual world because it harnesses all the polarity of the 
system, the positive and negative poles; it absorbs everything. 
One can 
hope that there is in each of us something singular that 
will allow the 
development of a reverted, reverting defense 
reflex. 
Interview by 
Claude Thibaut, March 6, 96 
Translation : Suzanne Falcone